In Minimal Maps, Pecirno creates a series of images that chart various features of the U.S landscape. The designer, currently getting his masters at the Royal College of Art, plumbed the USDA’s Cropscape datasets and isolated particular crops and plants to paint a series of unique, specific portraits of the country.
Pecirno’s maps skew a little abstract. “There’s something I quite like about them not being entirely contextual,” he says. With corn especially, it’s difficult to parse what you’re looking at. At a more granular level, though, you can begin to notice patterns in how individual states allocate land use. You see it in the subtle border created by grasslands in Missouri, the outline of Iowa defined by corn, Louisiana’s waterways.
The project pays clear homage to Fathom’s All Streets and Nelson Minar’s All Rivers, though Pecirno’s maps tell a slightly different story. While All Streets and All Rivers’ granular visualizations are designed to be combed through slowly and meticulously, Pecirno’s project is most interesting when you step back and look at the shapes and patterns that emerge on a nation-wide scale.